INTERVIEW with
Elesha Paul Moses who plays TINA TURNER
What’s Love Got To Do With It?
Brand New Show Celebrating Tina Turner is Heading
to Southend's Cliffs Pavilion on Tuesday 26th February 2019
Elesha Paul Moses who plays TINA TURNER
What’s Love Got To Do With It?
Brand New Show Celebrating Tina Turner is Heading
to Southend's Cliffs Pavilion on Tuesday 26th February 2019
Elesha Paul Moses has paid her dues in the entertainment world; she’s been striving for success in the music business for 20 years, via traditional grafting and TV talent shows.
And now, she’s set for a fresh start, taking her singing career to a new level starring in the mammoth tribute show tour What’s Love Got To Do With It?, celebrating the music and life of rock, soul legend Tina Turner.
Elesha, 38, who comes from Hampshire, appeared on The X Factor in 2010, alongside One Direction, winner Matt Cardle and in the same category as the big-haired, bongo playing wild card contestant Wagner. She then reached the battle rounds – twice – on The Voice, with will.i.am in a duo in 2013 and Tom Jones as a solo act a year later. She had previously been mentored by Mathew Knowles – Beyoncé’s dad – on a Channel 4 talent show.
In recent months she’s toured the UK and Europe as the understudy Whitney Houston in Whitney: Queen Of The Night, a show she will also star in as the late, great vocalist during 2019 – including a sell-out West End premiere at the Savoy Theatre.
Brought to you by the award-winning producers behind Whitney: Queen Of The Night, What’s Love Got To Do With It? – coming to the Southend Cliffs Pavilion on Tuesday, February 26 – is the ultimate tribute concert paying homage to one of the most iconic musical artists of the 20th Century.
And now, she’s set for a fresh start, taking her singing career to a new level starring in the mammoth tribute show tour What’s Love Got To Do With It?, celebrating the music and life of rock, soul legend Tina Turner.
Elesha, 38, who comes from Hampshire, appeared on The X Factor in 2010, alongside One Direction, winner Matt Cardle and in the same category as the big-haired, bongo playing wild card contestant Wagner. She then reached the battle rounds – twice – on The Voice, with will.i.am in a duo in 2013 and Tom Jones as a solo act a year later. She had previously been mentored by Mathew Knowles – Beyoncé’s dad – on a Channel 4 talent show.
In recent months she’s toured the UK and Europe as the understudy Whitney Houston in Whitney: Queen Of The Night, a show she will also star in as the late, great vocalist during 2019 – including a sell-out West End premiere at the Savoy Theatre.
Brought to you by the award-winning producers behind Whitney: Queen Of The Night, What’s Love Got To Do With It? – coming to the Southend Cliffs Pavilion on Tuesday, February 26 – is the ultimate tribute concert paying homage to one of the most iconic musical artists of the 20th Century.
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We spoke to Elesha about her love of performing, and how she can’t wait to party with Tina fans all over the UK.
How does it feel to be launching a brand-new tribute show, paying homage to a rock and soul legend like Tina Turner? It’s mad, and still hasn’t really sunk in yet. I was pretty full-on with Whitney: Queen Of The Night towards the end of 2018, so didn’t have too much time to think about it. But then we went into full-on rehearsal mode for What’s Love Got To Do With It?, and I’ve seen so much love for the show on social media and banners at theatres that it suddenly started to feel a lot more real. I’ve been working hard on the vocals and the costumes are all ready, so we can’t wait to actually get on the road. How did you get into singing and performing as a tribute artist? When I first started singing – well, when I first realised I could properly sing I was about 13 – I was always mimicking others and that’s how I taught myself. But that real big belting voice wouldn’t necessarily come out. Then, listening to people like Whitney Houston and Mariah Carey, those kind of artists, was when it really came to me. Funnily, I didn’t really listen to Tina Turner when I was younger, my parents played her music in the car, but it wasn’t what I took to at the time. |
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I was singing in a club and a friend said ‘We should do something different’, I said ‘Shall we try Whitney or something?’. I went home, put down a couple of lines of Whitney and thought ‘Oh, I can sound like her’. It went from there, and a similar thing happened when I started with Tina. I didn’t know I could sound like her until I just gave it a go. It wasn’t perfect straight away but I’ve progressed the sound over the years.
What’s it like to recreate such an iconic female performer live on stage?
Tina’s not got a growl as such, it’s just something which is there in her tone. It’s really difficult to explain. People think it’s shouting but it’s not, it’s a very particular tone that she has.
When I started mimicking Tina, it was great to watch her and learn from the energy and fun she puts in, and her way of moving is so distinctive. She’s so free with her performance, and carefree running around, kicking her legs up – it’s so much fun to take that on, and it’s an amazing quality not many artists have.
Tina’s not got a growl as such, it’s just something which is there in her tone. It’s really difficult to explain. People think it’s shouting but it’s not, it’s a very particular tone that she has.
When I started mimicking Tina, it was great to watch her and learn from the energy and fun she puts in, and her way of moving is so distinctive. She’s so free with her performance, and carefree running around, kicking her legs up – it’s so much fun to take that on, and it’s an amazing quality not many artists have.
What’s your favourite song to perform as Tina Turner?
Oh, there are so many I love. Proud Mary is obviously so much fun, but I also love Typical Male and I Can’t Stand The Rain. But for my absolute favourite… I’ll go Proud Mary. It always used to be Simply The Best which people really loved and went mad for – but these days it’s definitely Proud Mary.
Tina Turner is still such a huge name in music, why do you think she’s still so popular?
She is just such a great all-rounder, and she appeals to men as well as women. She’s a great rock and roll artist, she’s still here and she’s still doing so well.
Her songs have never gone away either. Even youngsters now, they know tracks like Proud Mary. You do those songs and they’re all over it, and it’s not fading away.
Tina’s had difficult times too over the years, but she came through it and is married and happy now – and I think people like that side of her story too, as well as the brilliant music.
You’ve been working in the music industry for a long time – you started writing with a record company aged just 17 and have been on TV reality talent shows. Can you tell us about the switch to the world of tributes?
I never used to do tributes, I was striving to do my own stuff and put out my own music. Things happened in my life, and I was in between things not really knowing what to do. I didn’t know how to get into the tribute business, but at the same time I felt that by doing that I would miss doing my own thing too.
But I’d done my album and did lots of trying to make it before doing the TV shows. I’d tried the traditional, old fashioned methods to get signed. It was just never meant to be. So I decided it was time to take it away from me and into being someone else.
How was your time on The X Factor and The Voice – and what did you learn from the experience?
When I did X Factor – in 2010 – it was nothing like the level it is now with all the media interest and social media. I was in the year of One Direction and Cher Lloyd, and Wagner – he was in Louis Walsh’s Overs category with me, but I went home after judges’ houses. It’s not a platform in the same way it is now for the early stages, and you’re left on your own to find a path and help yourself.
I was asked to audition for The Voice, and I first went when I was pregnant with my daughter Kookie, who’s now six – but I realised the live shows would be on when I was due with her so had to back out. But I auditioned again in 2013 as part of a duo [getting to the battle rounds in Team will.i.am], and again in 2014 [again, getting to the battle rounds with Team Tom].
Doing both of these did give me a boost at the time, even though I got so close but ultimately wasn’t successful. I don’t know what people think of me as an artist having done those shows, but I’m glad to be moving on into this new camp now.
I’m 99.9per cent – no, make that 100per cent sure I wouldn’t be tempted to do it again.
Forget being mentored by Louis Walsh – tell us about working with Mathew Knowles, Beyoncé’s dad!
So, yes, I did a TV show a long time ago, where I was mentored by Mathew Knowles – Beyoncé’s dad – that was pretty mad. It was Chancers on Channel 4’s T4, and I won the chance from UK auditions to spend a month in Houston, America, where the group of us chosen had various challenges. Mine was to sing at the same studio where Whitney Houston had recorded.
That experience gave me a really tough skin, to know that whatever you do don’t worry about what’s happened in the past; it’s all brought me to where I am now.
Oh, there are so many I love. Proud Mary is obviously so much fun, but I also love Typical Male and I Can’t Stand The Rain. But for my absolute favourite… I’ll go Proud Mary. It always used to be Simply The Best which people really loved and went mad for – but these days it’s definitely Proud Mary.
Tina Turner is still such a huge name in music, why do you think she’s still so popular?
She is just such a great all-rounder, and she appeals to men as well as women. She’s a great rock and roll artist, she’s still here and she’s still doing so well.
Her songs have never gone away either. Even youngsters now, they know tracks like Proud Mary. You do those songs and they’re all over it, and it’s not fading away.
Tina’s had difficult times too over the years, but she came through it and is married and happy now – and I think people like that side of her story too, as well as the brilliant music.
You’ve been working in the music industry for a long time – you started writing with a record company aged just 17 and have been on TV reality talent shows. Can you tell us about the switch to the world of tributes?
I never used to do tributes, I was striving to do my own stuff and put out my own music. Things happened in my life, and I was in between things not really knowing what to do. I didn’t know how to get into the tribute business, but at the same time I felt that by doing that I would miss doing my own thing too.
But I’d done my album and did lots of trying to make it before doing the TV shows. I’d tried the traditional, old fashioned methods to get signed. It was just never meant to be. So I decided it was time to take it away from me and into being someone else.
How was your time on The X Factor and The Voice – and what did you learn from the experience?
When I did X Factor – in 2010 – it was nothing like the level it is now with all the media interest and social media. I was in the year of One Direction and Cher Lloyd, and Wagner – he was in Louis Walsh’s Overs category with me, but I went home after judges’ houses. It’s not a platform in the same way it is now for the early stages, and you’re left on your own to find a path and help yourself.
I was asked to audition for The Voice, and I first went when I was pregnant with my daughter Kookie, who’s now six – but I realised the live shows would be on when I was due with her so had to back out. But I auditioned again in 2013 as part of a duo [getting to the battle rounds in Team will.i.am], and again in 2014 [again, getting to the battle rounds with Team Tom].
Doing both of these did give me a boost at the time, even though I got so close but ultimately wasn’t successful. I don’t know what people think of me as an artist having done those shows, but I’m glad to be moving on into this new camp now.
I’m 99.9per cent – no, make that 100per cent sure I wouldn’t be tempted to do it again.
Forget being mentored by Louis Walsh – tell us about working with Mathew Knowles, Beyoncé’s dad!
So, yes, I did a TV show a long time ago, where I was mentored by Mathew Knowles – Beyoncé’s dad – that was pretty mad. It was Chancers on Channel 4’s T4, and I won the chance from UK auditions to spend a month in Houston, America, where the group of us chosen had various challenges. Mine was to sing at the same studio where Whitney Houston had recorded.
That experience gave me a really tough skin, to know that whatever you do don’t worry about what’s happened in the past; it’s all brought me to where I am now.
Tickets are on sale now from www.cuffeandtaylor.com and www.southendtheatres.org.uk
Brought to you by the award-winning producers behind the hugely successful Whitney - Queen Of The Night, What’s Love Got To Do With It? is the ultimate tribute concert paying homage to one of the most iconic and much loved musical artists of the 20th Century.
In this brand-new touring theatre show, audiences can expect a night of high energy, feel-good rock-and-roll featuring Tina's greatest hits performed by the amazing vocal talent of Elesha Paul Moses (Whitney - Queen Of The Night, The Voice, X Factor) supported by a full 10-piece live band.
Brought to you by the award-winning producers behind the hugely successful Whitney - Queen Of The Night, What’s Love Got To Do With It? is the ultimate tribute concert paying homage to one of the most iconic and much loved musical artists of the 20th Century.
In this brand-new touring theatre show, audiences can expect a night of high energy, feel-good rock-and-roll featuring Tina's greatest hits performed by the amazing vocal talent of Elesha Paul Moses (Whitney - Queen Of The Night, The Voice, X Factor) supported by a full 10-piece live band.
WHAT’S LOVE GOT TO DO WITH IT? TOUR DATES 2019
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February
Wed 13th MAIDSTONE, THE HAZLITT THEATRE Tue 19th LIVERPOOL, EMPIRE THEATRE Sat 23rd BUXTON, OPERA HOUSE Tue 26th SOUTHEND, CLIFFS PAVILION Wed 27th EDINBURGH, USHER HALL Thu 28th GLASGOW, KING'S THEATRE March Fri 1st ABERDEEN, MUSIC HALL Sat 16th DARLINGTON, HIPPODROME Thu 21st BRADFORD, ST GEORGES HALL Wed 27th PORTSMOUTH, GUILDHALL Fri 29th HULL, CITY HALL April Thu 18th SHEFFIELD, CITY HALL May Wed 1st COVENTRY, BELGRADE THEATRE Fri 31st DARTFORD, ORCHARD THEATRE June Sat 1st HODDESDON, THE SPOTLIGHT Sat 8th HUDDERSFIELD, TOWN HALL Thu 13th MALVERN, FORUM THEATRE Sat 15th BASINGSTOKE, THE ANVIL Sun 16th CANTERBURY, MARLOWE THEATRE Sat 22nd TORQUAY, PRINCESS THEATRE Thu 27th NEW BRIGHTON, FLORAL PAVILION THEATRE Fri 28th CARLISLE, THE SANDS CENTRE Sat 29th NOTTINGHAM, ROYAL CONCERT HALL |
July
Thurs 11th HORNCHURCH, QUEENS THEATRE Sat 20th BLACKPOOL, OPERA HOUSE Sun 21st SUNDERLAND, EMPIRE THEATRE Sun 28th CROYDON, ASHCROFT THEATRE September Fri 13th CARDIFF, ST DAVIDS HALL Fri 20th MANCHESTER, BRIDGEWATER HALL Sat 28th BRIDLINGTON, BRIDLINGTON SPA October Wed 2nd LEICESTER, DE MONTFORT HALL Thu 3rd HORSHAM, CAPITOL THEATRE Fri 4th BOURNEMOUTH, PAVILION THEATRE Sat 5th LLANELLI, Y FFWRNES Fri 11th DONCASTER, THE DOME Thur 17th DERBY, DERBY ARENA Fri 18th BATH, THE FORUM Sat 19th SALISBURY, CITY HALL November Sat 9th HIGH WYCOMBE, WYCOMBE SWAN Sun 10th RICHMOND, RICHMOND THEATRE Fri 15th HARROGATE, ROYAL HALL Thu 28th MARGATE, WINTER GARDENS Fri 29th CAMBRIDGE, CORN EXCHANGE December Wed 4th SWANSEA, GRAND THEATRE Sat 14th WORTHING, ASSEMBLY HALL |